in the mid 90s, while playing in bands, max wŸrden started to record ideas on 4-track tapes. amongst other instruments the guitar was his favourite. since then the guitar is a steady constant during his sound production. predominantly he utilizes the intrument in experimental ways: he sticks screws and metal pieces between the strings or let s marbles run down the guitar neck, triggering a feedback, which becomes the foundation of a track. on his album momentum he went beyond the guitar, but he placed the intrument into focus of the production. max creates energyladen and experimental ambient music that always aims for what genre listeners looking for: the ultimate relaxation moment. the tracks are carried by slowly building string-generated sounds. live recordings and complex arrangements find a delicate symbiosis of ambient and strings.
mit hitsingles wie -get a life-, -back home- und -sky and sand- (mit seinem bruder paul) hat fritz kalkbrenner in den letzten jahren unser modernes verstŠndnis von elektronischer musik mitgeprŠgt. nach vier erfolgreichen alben, von denen die letzten beiden die top 10 der deutschen albumcharts erreichten, wendet er seinen musikalischen blick in eine andere richtung. es geht hier um elektronische musik, wie sie fritz kalkbrenner in seiner jugendlichen sozialisierung in den bis heute legendŠren techno- und houseclubs der hauptstadt in den neunziger jahren kennengelernt hat. die zŠsur, des weglassens der so vertraut gewordenen bariton stimme šffnet die tŸr in die weite welt elektronischer musik, die sowohl fŸr das homelistening, als auch fŸr den clubeinsatz taugt. es gibt auf diesen 12 tracks keine konventionen und manchmal auch kein halten mehr, fritz kalkbrenner lŠsst sich gehen in der faszination fŸr dub techno, fŸr klare dominante housestrukturen oder auch in feinen hymnischen melodien die aus so manchem titel des neuen albums herausscheinen.
cd in 4-panel digipak, no booklet
damon wild and david sumner (aka functions) relationship dates back to 1991 at lord michaels future shock, limelight, new york city when damon was running experimental records via northcott productions. at the time, he first saw something in dave and added him to brand x, a record pool run by moneypenny. but their bond is based around a period 5 years later when dave had an apartment above rogue music at 251 west 30th street in midtown, manhattan. it was during this time damon developed him as a synewave artist and released his first ep as function in the fall of 1996 catalog number sw-24. falling in and out of touch over the years, across continents, the two have somehow remained on the same cosmic path. so itÕs not a coincidence that now damon has turned to dave to release his first album in 13 years, during the time he is reissuing that first synewave ep on recompiled i/ii & ii/ii (a-ton lp02/03). this is where those paths cross again. 21 years later, this fall, dave will release cosmic path on infrastructure. the cosmic connection.
trapical 2018 - the finest in trap. 3 cds, 69 tracks, exclusive sets! feat. dimitri from vegas, like mike, david guetta, gestoert aber geil, alan walker, atb, dash berlin, loast frequencies
recording and touring together on and off for several years now, sonic journeyman dj vadim and californian songwriter katrina blackstone unveil their long awaited full-length album Ôdouble sidedÕ, released on bbe music. after providing a pair of stellar guest appearances on vadim s 2014 dubcatcher album, katrina blackstone joined vad on tour and the duo have been steadily laying down tracks ever since. eschewing samples in favour of drum machines, guitars and a dizzying array of synths, vadim s compositions on Ôdouble sidedÕ range from dubby downtempo grooves to upbeat afroboogie business. katrina s crystal clear vocals, catchy melodies and highly relatable lyrics provide the perfect foil for vadim s raw productions.
FREE FIRE: ORIGINAL MOTION PICTURE SOUNDTRACK (CD+DOWNLOAD CODE)
CD+MP3 13.10.17
fee fire ist der neue film von ben wheatley (high rise, sightseers,kill list, down terrrace) mit brie larson und cillian murphy in den hauptrollen und martin scorsese als ausfŸhrendem produzenten. der titel bezieht sich auf den epischen shoot-out in diesem coolen 70er jahre gangster-movie. der score stammt von geoff barrow (portishead, beak) und ben salisbury. das album enthŠlt zudem dialoge aus dem film und lizensierte stŸcke von kŸnstlern wie the real kids, creedence clearwater revival und john denver. cd wie doppel-lp enthalten eine zusŠtzliche download card, die nicht nur die stŸcke des albums sondern auch zusŠtzliches material enthalten. die doppel-lp (140g) erscheint in einem gatefold-sleeve, das vinyl ist silberfarben
das britische dj/produzenten-chamŠleon midland aka harry agius, der seit 2010 die clubwelt mit surrealen tracks bis modernem pop begeistert und u.a. darkstar, mano le tough und flume remixte, legt mit -fabric live 94- einen faszinierenden mixflow vor, der keinen anfang und kein ende kennt, stŠndig zwischen verwirrung und †berwŠltigung, zwischen momenten totaler klarheit und begeisterung hin und herwechselt und als fixpunkte die tracks von roman flŸgel, lfo und daphni setzt, die dem hšrer/tŠnzer immer wieder orientierung geben.
running back will mark its fifteenth anniversary with the release of its first label compilation, the running back mastermix, in september. as befitting the celebration of a landmark year in the life of gerd jansonÕs widely adored imprint, janson has invited one of house musicÕs original & greatest proponents of the mastermix, nycÕs tony humphries, to curate and mix the cd & digital editions of the compilation, accompanied by an unmixed double-lp which features a handful of the compilations rare & exclusive cuts. the mastermix is a timely reminder of what has made running back endure and remain at the top of many house music fansÕ favourite label lists for over a decade. beginning with todd terjeÕs blockbuster ÔragyshÕ and traversing tracks from across the labelÕs history, it includes contributions from long time label regulars alongside more recent additions and reminders of some of rbÕs best reissues. label mainstays tiger & woods, matthew styles, redshape and leon vynehall all appear, alongside mr g, paul woolford and recent breakthrough artists shan, jex and roy camanchero. tiger & woodsÕs ÔdonÕt hesitateÕ appears on vinyl for the first time, while the dixon edit of precious systemÕs anthem Ôthe voice from planet loveÕ will be available on wax again after only appearing on a super limited 12inch run the first time around.
an unreleased classic from the vaults emerges with beautiful reshapes by cv313 (recorded and reshaped from 2007-2016) this is where the sound of cv313 was realized, culled from cassette tapes recorded live (1995-2000) with nothing but analog/digital hardware, no computer in sight (excluding our commodore 64 midi sequencer, which is still alive and well today). the radius project has been absent since the final release in 2001, the first 12- appearing in 1996 (limited white label run of 100 copies pressed at acme pressing in canada) after revisiting these works we realized there was truly some magic here. this project was initially sent to rod modell & mike schommer shortly after they launched their brilliant deepchord label in 2001. they were incredibly kind in saying it was the best demo they had ever heard and passed it on to octal records for release, sadly, that didn t materialize and since then these masters have been collecting dust in our cassette rack for nearly 20 years now. we ve spent months doing our best to restore the old tapes from our tascam 688, an 8 track cassette recorder purchased and abused since 1992 and to our ears still sounds quite impressive even by modern standards. (that is of course, if you can get past the tape hiss) we ve had nearly every component replaced and re-calibrated to bring this obsolete machine back to life, it s been a truly nostalgic experience re-visiting these masters.
to feel the future is to feel the fall into time. for the fourth instalment in tresor s kern mix series, dj stingray (urban tribe/drexciya) presents a device for decoding time in all directions, a sonic prism that refracts our senses into auxiliary components of a total future-rush.
wiederveršffentlichung des 1979 albums -dennis von dennis brown, zum ersten mal auf cd und mit 2 bonus-tracks. alle tracks wurden von winston niney holness produziert und von errol thompson bei randys und joe gibbs recording studios jamaica aufgenommen. au§er let love in & black magic woman produziert von phil pratt. personnel: bass: george fully fullwood guitars: tony chinn, bingy bunny, earl chinna smith drums: leroy walls, max edwards percussion: bungo herman
perc returns with bitter music , his third album on his own perc trax imprint comes in a limited edition deluxe metal case with printed insert and sticker
great dj feedback below
there arenÕt many artists that can lay claim to having put out records on labels as divergent as rough trade and john talabotÕs hivern discs. perhaps this is because few artists express such genuine diversity in their musical tastes and creative explorations as david kitt. since the turn of the decade as new jackson he has mined a seam of driving, ghostly house to run parallel with his solo strand of ambient folk electronica. his debut release in 2011 the night mail on pogo channeled early record collection heroes aphex twin and orbital through to drexciya and projekt pm but had one foot firmly in the 21st century beaming in like some futuristic cyberballad. on the flip side hussle free had that mix of house and boogie sensibilities with dark and dusty synths and vocoder that would become a signature. this was followed by acclaimed releases on hivern, permanent vacation, major problems, apartment and most recently cin cin. his debut album set for release on all city in may was recorded in kittÕs bedroom studio overlooking dublin bay, its nocturnal hues very much a product of the nightshift often working on headphones with the rest of his housemates fast asleep. it takes full advantage of the scope of the lp format, ebbing and flowing between deep house club ready gems and more restrained and meditative beatless moments for the morning after. the recording process yielded many eureka moments with kitt finally nailing sounds that had hitherto proved elusive.
deluxe ist das erste album der detroiter funk-band will sessions mit eigenem material. zuvor arbeiteten sie mit kŸnstlern wie bad meets evil (eminem & royce da 5 9), elzhi, danny brown, mayer hawthorne, black milk und anderen zusammen. mit elzhi coverten sie nas klassiker illmatic und kreierten elmatic. auf ihrem mix takes 1-4 album befinden sich vier grandiose medleys fŸr fans von breakestra, el michels affair, menahan street band, golden era hip hop, detroit hip hop, j dilla, black milk, usw. auf ihrem deluxe album sind gŠste wie amp fiddler (funkadelic/parliamen), rickey calloway, coko und allan barnes (blackbyrds) vertreten.
2017 re-issuejohn talabot reiht sich in den erlesenen kreis der dj kicks compilations ein. sein dj kicks mix wird im oktober auf !k7 veroeffentlicht. oriol riverola aka john talabot gehoert aktuell zu den gefeiertsten djs und produzenten
secretsundaze are proud to announce their first label compilation dance 2017, a double cd, one unmixed and one mixed. dance 2017 will also extend into a run of v/a eps throughout next year, hot on the heels of the first 12- in the same name, featuring fred p, nubian mindz & aybee out just a few weeks ago, as well as a new party series
seit einiger zeit nun schon haben typische merkmale der trap music, die im rap beheimatet ist, einzug gehalten in den edm sound. der basslastige stil, durchsetzt mit hŠrteren beats und leichteren sounds, erinnert an dubstep und hat lŠngst einzug gehalten in die clubs und in die charts. unsere neue compilation trap sounds vol.1 taucht ein in dieses sich rasant entwickelnde genre und bietet mit 40 tracks auf 2cds einen coolen sampler.
stranger things ist eine neue netflix-tv-serie, die gerade in deutschland gestartet ist und international große wellen schlägt. die mystery-serie bietet jede menge referenzen an die 80er jahre, vergleiche zu steven spielberg und stephen king werden gerne gezogen. nicht weniger im fokus: der kongeniale soundtrack von kyle dixon & michael stein. von atmosphärischen stücken bis hin zu treibenden synthie-pop reicht das musikalische spektrum. hier wird gerne eine parallele zu dem score von drive gezogen, wohl einem der ikonografischsten soundtracks der letzten jahre.
featuring throwback anthems von house of pain, dj jazzy jeff, kriss kross, 50 cent, ini kamoze, salt n pepa, ice cube, black street, missy elliott, odb, sugarhill gang, panjabi mc, justin timberlake, run dmc, usher, dmx, ja rule, nelly, ginuwine, notorious big, outkast, cameo, bobby brown, tlc, r. kelly, jennifer lopez, aaliyah
known for their heavy-hitting, no holds barred approach, lukas, ludwig, dominik and niklas aka fourward, throw down with their inimitable sound design to deliver a stunning new album expansion on shogun audio.
sound and rhythm are effective means of individuals self-defence in face of chaotic steamroller of everyday life. hiding in a familiar yet simultaneously hardly recognisable parallel space does not have to result from the need of escaping the world or nurturing one’s ego. too many times to mention, music appearing under recognition imprint served as a peculiar type of a vehicle of survival and a tool for internal transformation. hideland, new record by polish electronic music producer jacek sienkiewicz is released precisely year after drifting, which largely explored tropes of classical club techno sound. eight (nine in extended cd version) tracks comprising this album go beyond easy-to-pigeonhole genres, creating a microcosm of utopian sound constructs. surprisingly unobvious and precisely composed release could be fascinating both for loyal fans and for new listeners looking for threads of experimentalism. its another intriguing proposal in jacek sienkiewiczs growing discography, but above all, a laboratory where dreams and artistic visions metamorphose into concrete reality.
on limited edition compact disc. no., founded by atomtm & material object in 2014, celebrate their second birthday in style with no. ii, a collage, a readymade, an assemblage, a synthesis, in short: a spectrum of elements refracted through the prism of the labels output between the 1st of may 2015 to the 1st of may 2016. you might call such a spectrum a mix, and thats up to you. over the 79 minutes the mix traverses a wild landscape of material. a dose here from the lysergic adventures in the concrete jungle of g@ng5ta, a stroll there over the bubbly terrain of material object+ishqs invisble light, the air punctuated by the haunted soundscapes of former severed head: garry bradburys yakovlevian torque. slather on top of that a caustic beat from anamorph specimens and then undergrid it all with the morbidly obese frequencies of atomtms texturen series and you have yourself some kind of interdimensional feast. so, welcome to our second birthday party.
auf 2 cds finden sich hier dance-hits, die diesen sommer auf europŠischen dancefloors gespielt werden. megamix-chef dj deep hat fŸr dieses projekt sommerlich lockeren dance- und house-hits ausgewŠhlt. mit ihren fantastischen vocalparts und pop-elementen verbreiten diese songs summerfeeling! Ÿber 80 tracks auf dieser dance-compilation, volltreffer fŸr megamix-fans!
over the course of the past ten years, stil vor talent has striven to support emerging young artists, to continuously broaden and redefine its sound, and, ultimately, to create lasting memories, both on and off the dance floor. the dance floor is the place where we gather to leave the worries of our everyday lives behind, and, for those few moments, form a bond, which transcends the final track of the night. a bond between each other between the artist and the dancer between ourselves and the music. on 10 years stil vor talent we celebrate this bond and say thank you.
as we launch into the 20th instalment of our watergate mix series, it seems only fitting that we turn to one of our own artists to commemorate the milestone. a man already well known for his poignant and impassioned productions and dj sets, we are thrilled to present matthias meyer as the next master of controls on watergate 20! over the course of 80 minutes, meyer skillfully navigates through boundless sonic spaces of lush melodics, organic grooves and sentimental sensations with an effortless approach. from the very beginning, emotions run deep as the sound of rain and strings on kettenkarussellÕs Ôten friendsÕ sets the stage as yokoo & retzas exclusive track satori and leafar legovs tribal girls establish the percussive tone of the mix. the journey really begins to unfold when back to back exclusive tracks gorje hewek & izhevskis turgoyakk and matthias own uluwatu take over. as the mix picks up steam tracks from palms trax, langenberg, hyenah and another exclusive from meyer himself provide the perfect momentum that drives us into the deeper side as the mix takes a turn towards the final stretch.
in all there are seven previously released tracks as well as five brand new, never before heard cuts, and they all make for absorbing listening both in the club, on headphones or from the sofa.
stacey pullen gehšrt zur zweiten detroit-generation, die mitte der 1990 er aufkam, und seine mixkŸnste wurden schon frŸh fŸr kultserien wie fabric oder -dj-kicks- angefragt. jetzt legt pullen erstmals seit sechs jahren wieder zwei sets fŸr balance auf, die die stilistische vielfalt des modernen techno symbolisieren: bassig, tribalistisch, wonky, minimalistisch, deep, melodisch, funky, atmosphŠrisch, disco esque um nur einige attribute zu nennen. doppel-cd inkl. dl code mit allen ungekŸrzten versionen in mp3 und wav qualitŠt.
the latest release by the parisian label is thanks to a fluke find by an antinote family member, who by pure chance, unearthed an unreleased guitar and synth musical jewel from italy circa 1984. an until now unknown collaboration between a guitar maestro, composer of contemporary dance scores with a gifted electronic music composer. cd version with bonus track- big tip!
hier kommt die diesjährige sommerausgabe von a state of trance, wieder aus dem angesagten ushuaia club auf ibiza, armins aktueller dj-residenz, der bei den international dance awards im frühjahr in miami zum besten club der welt 2015 gekürt wurde! armin liefert wieder bis ins kleinste detail präzise qualitätsarbeit in form von zwei neuen burnersets mit den derzeit heißesten floorfillern von andrew rayel, dan stone, protoculture oder w&w, garniert mit eigenen schätzchen wie die coproduktion panta rei mit mark sixma oder den klassiker café del mar in der beat service-version
nach der veršffentlichung seiner dreamzone ep verbrachte der gebŸrtige finne jaakko eino kalevi das vergangene jahr hauptsŠchlich damit, shows und festivals von europa bis japan zu bespielen. letzten sommer veršffentlichte der finnische workaholic zudem seine -yin yang theatre ep- fŸr das beats in space label des new yorker djs & radio hosts tim sweeney, die mit ihrem bohemen disco-sound erneut aufzeigte, wie vielseitig kalevi sein kann. die zweite hŠlfte des jahres 2014 mixte kalevi sein fertiges album dann in new york mit nicolas vernhes (the war on drugs, run the jewels) und zog anschlie§end nach berlin. sein selbstbetiteltes synthie-pop album erscheint mitte juni auf cd und vinyl via weird world/domino records.
gerade rechtzeitig zum saisonauftakt auf der beliebtesten partyinsel europas bringen wir ibiza clubhits/summer 2015. in einem fetten dj-mix auf 2cds werden die besten und topaktuellsten house-hits gefeatured, zu denen auf den dancefloors der insel abgefeiert wird. robin schulz, laidback luke & tujamo, mike candys, hardwell und milk & sugar, sie alle sind auf dieser compilation vertreten!
how much do you really know about nina kraviz? shes a russian techno dj, an accomplished producer, one of dance musicÕs breakthrough names of the last five years. true enough, but theres so much more to her story than that. shes one of electronic musics most interesting characters, someone who has stuck to her musical guns since day one, someone who has wide-ranging roots that run deep in the past, yet shes also the embodiment of the future. her signature sound is a raw blend of house and techno with a very acidic feel. if that feels very now, kraviz has a lot to do with it, which is why she was asked to mix the latest instalment of !k7Õs landmark Ôdj kicksÕ series.
dj, produzent und leftroom labelbetreiber matt tolfrey schmiedet nach seinem studioalbum word of mouth eine allianz mit ryan crosson (visionquest), um ein hervorragendes mixset aus komplett exklusiven tracks und eigenen edits zu kreieren. feat. jay haze & ricardo villalobos, larry heard aka mr fingers, huxley, luke solomon, h-foundation & blakkat, pezzner, u.v.a.
ein album im sinne klassischer songwritertraditionen. natŸrlich angereichert mit anleihen an ihre detail-versessene und floor-berauschende aneignung von house, aber Ÿberdeutlich zu einem in sich geschlossenen sound-kapitel verdichtet. es ist ein album, das neben der kooperation mit bostons e-funk wizard tanner ross auf zwei stŸcken vor allem in zusammenarbeit mit dem englischen sŠnger und musiker chris james entstand. james, der unter anderem auch mit seiner band stateless auf ninja tune und !k7 veršffentlicht, hat einen wesentlichen anteil an der strahlkraft dieses albums. seine wŠrmende stimme und seine intuitive entwicklung von gesangsarrangements fruchteten augenblicklich mit den vorstellungen der berliner produzenten und so erarbeiteten sie letztendlich elf gemeinsame stŸcke ...
pangaea steht als synonym fŸr subsonische bassmusik. sein zusammen mit pearson sound und ben ufo betriebene dubstep-label hessle audio zŠhlt zu den besten adressen des genres. entsprechend intensiv fŠllt seine arbeit fŸr die fabric-mixserie aus, die gekonnt darken techno mit bassigen sounds verbindet.
das londoner elektronik musik-duo simian mobile disco ist 2013 in aller munde und bringen nun ein live-album heraus. aufgezeichnet wurde das konzert bei ihrer letzten tour in philadelphia, fuer ihre albumpromotion >unpatterns. auf >live< zu hoeren sind: >hustler<, >its the beat< und tracks vom aktuellen album
social experiment is a mix series on no.19 music, the label run by jonny white. incl. exclusie tracks by jamie jones,dj hell feat. brian ferry, luca c. & brigante feat robert owens, my favorite robot and more
chris reeds wurzeln gehen weit zurueck. als plastician veroeffentlichte er eine der aller ersten dubstep releases ueberhaupt, eine rephlex compilation mit dem titel >grime<
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